Enzo Nicolas

Verdier

Verdier

Date: October 2020
Client: Cassandre Verdier
Type: Identity
Technique: Hot foil stamping, blind embossing
Dimension: Various

Visual identity for Cassandre Verdier. Like the architect who invests the space in his own way, identity and content can be arranged in different formats that follow the same grid. Blind embossing and hot foil stamping on Inapa Pur Coton.

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Commutation A

Commutation A

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: June 2021 –
Client: Self-initiated
Type: Poster
Technique: Offset
Dimension: 420 × 594 mm

Commutation A – First poster out of three. Offset Printing: CMYK + Silver 877c.

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MA thesis – Le denim, un élément subversif au cœur des évolutions sociétales.

MA thesis – Le denim, un élément subversif au cœur des évolutions sociétales.

Date: May 2019
Client: Self-initiated
Type: Book
Technique: Digital print, Dimensional clear ink
Dimension: 297 × 420 mm, 88p.

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Footprint A

Footprint A

Date: December 2020 –
Client: Self-initiated
Type: Photographs
Technique: Digital
Dimension: 297 × 420 mm

Guideline process that reveal the evolution of rubber soles over the years.

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Dualité – Front de seine
Quartiers de Javel et Grenelle

Dualité – Front de seine
Quartiers de Javel et Grenelle

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: November 2020
Client: Self-initiated
Type: Book
Technique: Digital print
Dimension: 289 × 380 mm, 36p.

Newspaper questionning the conflict between the light and the architecture within the districts of Javel and Grenelle both located in the 15th arrondissement of Paris.

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Dualité

Dualité

Date: August 2019
Client: Self-initiated
Type: Photographs
Technique: Digital
Dimension: 400 × 600 mm

This photographic work concerns the luminous aspect of Front de Seine district. These photographs underline the architectural eclecticism of the district. The buildings criss-cross the light and create strongly marked shadowy spaces. This series reveals the impact of urbanization on the luminosity of the urban landscape. It questioning the conflict between the light and the architecture within the district of Javel and Grenelle located in 15th arrondissement of Paris.

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FSM – MA Graduation project

FSM – MA Graduation project

Date: May 2020
Client: Self-initiated
Type: Installation
Technique: Digital, CGI, AR
Dimension: 2210 × 1100 × 80 mm

A project aimed at people who live near or around the island of Noirmoutier. A territory located on the French Atlantic coast, two thirds of which is below the highest sea level. By using a system of graduation, this scenographic installation provides a visual reference of future sea level rise, allowing visitors to question the reality of this expanse and visualize the uncertain future of what lies before their eyes. Thus, this physical communication medium visually expresses the evolution of the landscapes, and makes the individual aware of the environmental issues facing this island.

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Charlotte Perriand

Charlotte Perriand

Date: March 2020
Client: Self-initiated
Type: Book
Technique: Digital print, White ink
Dimension: 240 × 320 mm, 44p.

This book is a complete biography of the architect and designer Charlotte Perriand. Composed of five parts describing different periods of her life. It also includes an index of her achievements with their dates and descriptions. The book was printed on Fedrigoni Arcoprint Milk paper, 150g.

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Norms

Norms

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: May 2020
Client: Self-initiated
Type: Object
Technique: CGI, Digital
Dimension: 180 × 180 mm

Based on the discs that were used for phototypesetting, INTEGRAL TYPOGRAPHY created its own to display its approach. Such as the light that passes through the transparent characters composing the black disc, this object reflects the transparency and intelligibility that the structure brings to its work. Each of the methodically organized characters in this abstract whole, work as a tool made to, when assembled together, create a rational and primary communication system.

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L.L.S

L.L.S

Date: September 2020
Client: Le Labo Store
CGI: Hugo du Roure
Type: Product
Technique: CGI
Dimension: 750 × 80 mm, 750ml

Visual conception and images made for Le Labo Store's product.
Art direction: Made with Nada Bennani

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Zig Zag
The history of the chair and its construction instructions

Zig Zag
The history of the chair and its construction instructions

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: March 2020
Client: Self-initiated
CGI: Hugo du Roure
Type: Poster
Technique: Digital print
Dimension: 290 × 420 mm

In parallel of the creation of the Zig Zag folder, we worked with a CGI artist to create these images. The plans in the folder were used to model each wooden planks of the chair in a precise way. Once these pieces were produced, we were able to assemble them and bring the chair to life. CGI developped by Hugo du Roure.

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Zig Zag
The history of the chair and its construction instructions

Zig Zag
The history of the chair and its construction instructions

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: March 2020
Client: Self-initiated
Type: Folder
Technique: Digital print
Dimension: 210 × 297 mm, 48p.

The Zig Zag chair is an iconic piece of furniture designed by the Dutch designer Gerrit Thomas Rietveld in 1934. It consists of a seat composed of three wooden planks assembled in a Z-shape, to which a fourth plank is joined for the back. This chair is a product of the minimalist and constructivist “De Stijl” movement.

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25 years of printing

25 years of printing

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: October 2019
Client: Médi6 printer
Type: Leaflet
Technique: Offset
Dimension: 130 × 218 mm

Since 1994, Médi6 have distinguished themselves through their expertise and printing quality. They stand out thanks to the specific printing machines that are made for graphic industries. Through this leaflet, we can appreciate the skill of this printing house.

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[DIA – LOGOS]

[DIA – LOGOS]

Date: October 2019
Client: Self-initiated
Type: Poster
Technique: Digital print
Dimension: 310 × 460 mm

[DIA – LOGOS] is a dialogue between a designer, the spectator and the object. The purpose of this dialogue is a possible definition of graphic design. It’s my point of view. It remains accurate, is what I think is a good design, a functional design.

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Ground floor

Ground floor

Date: November 2019 –
Client: Self-initiated
Type: Photographs
Technique: Digital
Dimension: 400 × 600 mm

Project carried out in a district under construction in the city of Nantes. This series displays visual acuity through a play of light and shadow in a raw and aseptic setting.

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MHNN

MHNN

Date: November 2019
Client: Natural History Museum of Nantes
Type: Book
Technique: Digital print
Dimension: 150 × 220, 32p.

MHNN is a proposal publication dedicated to the first collection of the Natural History Museum of Nantes. This book is an index of all the meteorites referenced in the Museum with a section dedicated to the Atacama expedition.

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Furniture

Furniture

Date: October 2019
Client: Self-initiated
Type: Furniture
Technique: CGI
Dimension: 1500 × 750 × 850 mm

This piece is a proposal designed for the retrospective exhibition of the artist Ettore Sottsass. The design of this seat was conceived according to the counter-form of the letter E. Bright colours and raw materials inspired by the Memphis movement, this furniture can be intended for cultural spaces.

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Gino Buscaini, François Labande, Maurice Brandt, The highest Alps summits

Gino Buscaini, François Labande, Maurice Brandt, The highest Alps summits

Graphic design: As part of INTEGRAL TYPOGRAPHY
Date: August 2019
Client: Self-initiated
Type: Book
Technique: Digital print
Dimension: 188 × 265 mm, 158p.

"Gino Buscaini, François Labande, Maurice Brandt - The highest Alps summits" is a book that covers a list called the UIAA List. It indexes all the Alpine summits that exceed an altitude of 4,000 metres. To make this repertoire more complete, a route is provided for each summit. The technical text is toned by satellite images of the summits that appear as abstract textures.

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